Category: Album

First of Dismay

Neil Hamburger

First of Dismay
Drag City

By John Wenzel

Figuring out what makes Hamburger so magnetic is part of the masochistic fun. Is it his carnie inflection? His abusive, unpredictable rage and profanity? His spot-on critiques of consumer culture that have made him a must-follow on Twitter? Ultimately it’s all in service of the mood he creates.

 
Small, Dork and Handsome

Myq Kaplan

Small, Dork, and Handsome
New Wave Dynamics

By Daniel Berkowitz

Kaplan proves himself more than just a linguist deft at manipulating meaning; he’s able to take common items and everyday thoughts and concoct alternative theories that spring from a grain or two of truth and are magnificent to behold simply for the logic in which they’re grounded.

 
waiting for 2042

Hari Kondabolu

Waiting for 2042
Kill Rock Stars

By Daniel Berkowitz

The talent of 30-year-old New York comic Hari Kondabolu is undeniable: he’s cerebral, witty and occasionally daring. Waiting For 2042, however, is not as uniformly distinguished as its author.

 
me the whole time

Andy Sandford

Me the Whole Time
New Wave Dynamics

By Elise Czajkowski

Recorded in his hometown of Atlanta before a very energetic crowd, Me the Whole Time is everything a first album should be: packed with strong material from start to finish, filled with the type of memorable bits that will make people take notice and completely accessible to newcomers.

 
Live at the Bootleg

Karen Kilgariff

Live at the Bootleg
AST Records

By John Wenzel

Kilgariff’s a fine singer, with a wavering, vulnerable voice that falls somewhere between coffee shop balladeer and demented children’s entertainer. Her saccharine delivery complements the murky timbre of her acoustic guitar and sells the jokes against the often bleak, angry lyrics.

 
what

Bo Burnham

what.
Comedy Central Records

By Nick A. Zaino III

Burnham is very self-aware, of his image as the nerdy theatre kid who was once picked on in school, and of someone for whom fame came quickly. And he uses all of that in his show.

 
Live At Third Man Records

Rory Scovel

Live at Third Man Records
Third Man Records

By Daniel Berkowitz

He’s unapologetic about using voices, and he’s more than willing to detour around his material to play off the crowd. Those tactics make Scovel a unique talent, but it’s fair to say they might not make him the proper type of comic to record a one-off show.

 
 
css.php